‘Penfolds itself was established in 1844, and is thus a heritage brand as old as some of the finest European wine houses’

Luxury brands don’t come around very often in the rarefied world of fine wine. Penfolds Grange, now 75 years old, has established a foremost place among the vinous legends

To what extent is the world of luxury determined by heritage? Until recently, you could have convincingly argued that all luxury brands were heritage brands: from Hermès to Patek Philippe to Château Latour, they have been around for centuries.

Follow LUX on Instagram: @luxthemagazine

But then came the disruptors – new luxury brands such as Richard Mille and Alaïa. In sectors where innovation plays its part, the role of new luxury is even stronger: Pagani and Koenigsegg have shaken the world of supercars.

But has not the world of wine, where innovation arguably plays less of a role than historic vineyards, remained a heritage preserve? Up to a point. To the pantheon of centuries-old greats such as Romanée-Conti and Château Margaux, a new fine-wine luxury brand has been established that commands respect and desirability among top collectors.

Max Schubert created the iconic Grange 75 years ago, from the Shiraz (Syrah) grape variety

Penfolds Grange is not new in absolute terms – the first vintages were produced in the 1950s, but that makes it relatively new in the wine world, and all the more remarkable for its ascent to that pantheon of greats. It helps, of course, that Penfolds itself was established in 1844, and is thus a heritage brand as old as some of the finest European wine houses.

Luxury is an industry in which marketing can be even more important than quality to establishing reputations. But for a fine wine, quality is paramount. There’s no getting away from what’s in the glass. Also, consistency: if you create one great vintage then nine average ones, you won’t find a place in collectors’ cellars.

Read more: Riding with the Porsche 911 C4 GTS Cabriolet

Grange is innovative for the wine world. It is made from Shiraz grapes, known as Syrah in France, which, in the Rhône valley, makes the celebrated Syrah wines of Côte-Rôtie and Hermitage. But unlike most of the world’s great wines, Grange is not created from grapes grown from the same plots of land each year.

It is a blend of the best grapes chosen each year by the winemaker – wine-world legend Peter Gago, who was inducted into the prestigious Decanter Hall of Fame in 2021 and received a Lifetime Achievement Award at the influential Meininger Awards this year.

The Penfolds barrels

Coming from different plots each year ensures quality but also an intriguing variation.

Grange is Australian and expensive – older vintages fetch thousands of pounds, dollars and euros per bottle – and it is, of course, unusual in not coming from the same plot of land every year. But what does it taste like?

Grange is an ethereal, hard-to-pin-down wine, with power but also a lightness of touch and delicacy, which, added to its complexity, make it utterly captivating for collectors.

Read more: We visit the E1 race on the water in Monaco

On its 75th anniversary this year, Gago commented in characteristically sharp, colloquial style to LUX, “Grange, three quarters of a century young. Without a vintage miss. Annually attempting across treasured South Australian vineyards to best reflect what Mother Nature sends our way. So far, so good. Respectful of the proven Grange stylistic template, every year we try harder … to make a better vintage than the legendary ’52, ’53, ’55, ’63, ’71, ’76, ’86, ’90, ’96, 2010 … The tweaking continues – in vineyard, in winery!”

Oh, and good luck in tracking down a bottle of that 1952. A true luxury item indeed.

penfolds.com

Share:
Reading time: 3 min
two chefs and a man in a suit holding glasses of champagne smiling at the camera
A bottle of champagne with flowers and butterflies on it

Perrier-Jouët Belle Epoque 2013

Champagne house Perrier-Jouët teamed up with the Rosewood Crillon and legendary chef Pierre Gagnaire in Paris for a series of evenings to remember on its 120th anniversary. You could almost smell the scent of the engraved wildflowers on the art nouveau bottles, says Samantha Welsh

In a world where luxury brands are digging up whatever tenuous historical links they can find to burnish their heritage, it was both reviving and exhilarating to be at the 120th anniversary of something very tangible. In 1902, botanist and artist Emile Gallé decorated a magnum of Perrier-Jouët champagne with a spray of Japanese anemones, to symbolise the stylish, floral freshness of the wine inside.

Follow LUX on Instagram: luxthemagazine

The anemones became both the calling card of the champagne house, and a lasting symbol of the art nouveau influence on the flourishing Paris of the Belle Epoque, the first decade of the 20th century, when art and culture and gastronomy flourished in the French capital. In due course, Perrier-Jouët created its prestige cuvée – its luxury champagne – carrying the Belle Epoque name and the anemone engraving, and the rest is history, particularly for lovers of its poetic, natural, and complex yet subtle style.

A dinner table in a white and gold room with flowers along the tables

Nature is at the heart of the champagne house’s narrative

Now, 120 years after Gallé first created his design, Paris is once again flourishing as a centre of arts, catalysed in part by London’s exit from the European single market. And nature is once again at the centre of the luxury narrative, as the value of natural capital and the importance of nature-based initiatives become increasingly apparent in an era of climate change.

Meanwhile, two things haven’t changed: Paris is still the world’s centre of gastronomy, and the Crillon, now the Rosewood Hotel Le Crillon and run by the sophisticated, Hong Kong based luxury hotel group headed by aesthete and entrepreneur Sonia Cheng, is still its most spectacular address.

two chefs working in a kitchen with beige aprons

Pierre Gagnaire and Boris Campanella

So it was apposite that we – champagne connoisseurs, art collectors, thought leaders and media – gathered together at the Rosewood Le Crillon to celebrate the 120th anniversary last week. At a dinner cooked jointly by Gagnaire and Rosewood Le Crillon chef Boris Campanella, we started by selecting our own, personal, Belle Epoque era glass from an array of beautiful vintage glassware arranged on a table. We then bespoked the engraving on our own personalised bottle of Belle Epoque, from a choice of anemones, petals, butterflies and bees. In terms of the celebration of biodiversity, Perrier-Jouët was exactly 120 years ahead of time. (It also owns the largest private collection of Art Nouveau furniture and collectibles in Europe.)

people sitting around a table, having dinner with flowers in the middle

Celebrating the 120th Anniversary of Perrier-Jouët

The maison is very current as well, as the artist it collaborates with this year, Garrance Vallée, has created works showing the diversity and importance of nature, “Planted Air”, exhibited at a nomadic exhibition in Paris this month.

Read more: Thought leadership at the Cliveden Festival

None of this would have mattered had the champagne itself not been of the highest quality. But it was sublime, and the only challenge was – which do you prefer? As a standalone, one could only admire the purity, freshness, and breadth of the 2012 Blanc de Blancs Belle Epoque. But as a collaboration, when you have Gagnaire and Campanella in the kitchen, the pairing of the 2012 Belle Epoque Rose with dessert was, well, art.

Find out more: perrier-jouet.com

Share:
Reading time: 3 min
Cinematic still featuring a bottle of champagne
Bollinger event with men in suits

Michael G. Wilson & Etienne Bizot from the Bollinger Family at Hotel de Crillon, Paris

Last week, Champagne Bollinger celebrated the 40th anniversary of its partnership with James Bond with a special event in Paris and a new limited-edition release

On Thursday evening last week, Champagne Bollinger welcomed the producer of the James Bond films Michael G. Wilson as guest of honour in Paris to celebrate the brand’s 40-year partnership with the legendary film series. Hôtel de Crillon played host to an exclusive list of invitees in celebration of the partnership, which dates back to 1979, when Bollinger became the official champagne of 007 upon the release of Moonraker.

Cinematic still featuring a bottle of champagne

The character Jaws opening a bottle of Bollinger R.D.1969 in Moonraker

Follow LUX on Instagram: luxthemagazine

Champagne gift set with luxury silver box

The Moonraker Luxury Limited Edition by Champagne Bollinger with a gift box designed by Eric Berthes

Following a speech by Bollinger’s chairman Étienne Bizot, the brand launched its latest release ‘The Moonraker Luxury Limited Edition’ complete with a space-shuttle shaped gift box designed by Eric Berthes and inspired by the shuttle originally created by production and set designer Ken Adam. Guests enjoyed a first taste of this 2007 vintage against a backdrop of design sketches and stills from the Moonraker film.

Find out more: champagne-bollinger.com

Share:
Reading time: 1 min
Installation view of a contemporary art exhibition with round canvases
Installation view of a contemporary art exhibition

Installation view of ‘Echoes of Light’ by Andy Moses at JD Malat Gallery, Mayfair, London

Last week, Mayfair’s JD Malat Gallery celebrated its one-year anniversary with a summer party and private view of a psychedelic solo exhibition by Andy Moses

Art dealer Jean-David Malat‘s eponymous gallery has had a busy first year with back-to-back exhibitions and an ever-growing list of artists, of which Andy Moses is the newest addition. Last week, saw the official opening of the Los Angeles-based artist’s first ever solo show in London entitled ‘Echoes Of Light’ as well as the celebrations of the gallery’s first birthday.

Two men in suits stand in front of psychedelic painting

Jean-David Malat and Andy Moses pictured in front of the artist’s work

Guests raised a glass against the backdrop of Moses’ signature psychedelic, swirling colourscapes, which are evocative of other worlds, distant dimensions. Each work explodes with movement, seemingly rippling before your eyes, and often denying a stable sense of perspective.

Follow LUX on Instagram: the.official.lux.magazine

Meanwhile, the gallery’s downstairs space displays works by the likes of Henrik Uldalen, Zümrütoğlu and Chinese artist Li Tianbing all of whom apply paint to canvas with refreshing originality.

Round canvas psychedelic artwork

‘Geodesy 1212’ (2019), Andy Moses

‘Echos of Light’ runs until 20 July 2019. For more information on the gallery’s upcoming exhibitions visit: jdmalat.com

Share:
Reading time: 1 min