four women hosting a panel discussion

four women hosting a panel discussionEntrepreneurs, historians, politicians and cultural leaders came together at the annual Cliveden Literary Festival, a weekend event that nourishes and inspires the mind, and the importance of informed perspectives

Literary festivals are proliferating: in the UK alone, there are more than 350 annually, one for each day of the year. But quantity does not mean quality; serious writers need to spend time on their books, not attending endless panel discussions. Last weekend our sister publication, the Oxford Review of Books, took part (courtesy of the hosts) in the Cliveden Literary Festival, the most bijou and sophisticated of British book events.

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Set in an imposing country house which historically played host to some of the world’s leading literary and society figures, Cliveden is as much a thought-leadership event as a literary one. Panellists and speakers included Michael Gove, the peripatetic British politician who is demonised by many opposed to Brexit, but who is also one of the most effective and thoughtful government figures of the past decades.

Michael Gove wearing a suit giving a talk

Michael Gove

The historian Andrew Roberts, now Lord Roberts, spoke about his new biography of Lord Northcliffe, the man who gave us the Daily Mail; visionary Oxford history professor Peter Frankopan was as compelling as ever; Brian Cox spoke about Succession (did we detect a little respect for his character, media tycoon Logan Roy, from the masterly leftwing Shakespearean actor?); entrepreneur Luke Johnson was scathing about governments and business; and Yana Peel, former Serpentine gallery director and now Chanel art suprema, extrapolated on contemporary art. Other topics included Ukraine, China and India (together), and the continuing significance of ancient Rome, on which author Robert Harris was compelling.

Merve Emre, Sebastian Barry, Ben Okri and Susie Boyt having a discussion by a fireplace

Merve Emre, Sebastian Barry, Ben Okri and Susie Boyt

Thought leaders should not all think alike, and the sessions were enlivened by disagreement: Johnson challenging Gove over government policy (a clear win for Johnson in terms of commercial logic, but Gove has been a world-class debater for four decades, so we will call it a draw); and an unidentified audience member challenging the always-erudite Frankopan on a point he made about Elon Musk.

Edward Enniful wearing glasses, a grey blazer, black t-shirt and jeans giving a talk to an audience sitting on a chair

Edward Enniful

The audience at Cliveden is as high-powered as the panellists, and while we can’t identify the questioner, he looked as though he ran numerous corporations through his private equity fund, and enjoyed a good yacht in the summer. For those amazed at the temerity of a mortal challenging the Oxford University Professor of Global History, it turns out both of them were right: Frankopan had correctly quoted a decision announced the previous day by Musk, but the audience member was more up to date, as Musk had reversed his decision that morning.

A man and woman having a talk by a fireplace

Brian Cox

At the end of each day, rows of chauffeur-driven cars lined up at the grand driveway of Cliveden to whisk audience members home, while panellists and some guests stayed at the grand country house, amid its parkland. There is no filler at the Cliveden literary festival, no second-raters, no random poetry recitals, no childrens’ entertainers. The founders are graduates from Oxford and Cambridge, an author and a historian, and their intellectual focus is evident.

Read more: Audemars Piguet Contemporary’s Paris Debut

Perhaps a little more consideration could have been given to the hottest topic in thought leadership today, enterprises that are attempting to change the world for good (or “profit with purpose”). And it is all a little friends and family, a little cliquey – in one session, all three panellists, the moderator, the audience member asking a question and this writer observing from the back, were all contemporaries at Oxford. But that is where the power and influence lies, and they come to Cliveden.

A woman in a pink shirt and black suit hosting a talk with a man wearing a brown suit

Wesley Kerr, Tina Brown, Robert Hardman and Camilla Tominey

In a world where this is too much information and too little thought, Cliveden is a thoughtful curation of the right kind of information, from the people who create it. There is nothing else quite like it, and for maximum enlightenment we recommend booking early for this boutique festival in its idyllic setting next year – and we have told the organisers that they need to do more festivals, perhaps in Paris and New York.

Darius Sanai

Find out more: clivedenliteraryfestival.org

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mixed media artwork
mixed media artwork

Rachel Jones, SMIIILLLLEEEE, 2021. Oil pastel, oil stick on canvas. Photo by Eva Herzog. Courtesy Thaddaeus Ropac gallery

In our new online monthly series, LUX’s editors, contributors, and friends pick their must-see exhibitions from around the globe

Sophie Neuendorf, Vice President of artnet

Last year, Saint Laurent started their cultural program, showing a selection of artists at exciting locations, such as at the beach during Art Basel Miami Beach (which you can read more about in my diary from the fair). They also mount exhibitions at their Rive Droite location in Paris, which has been conceived to showcase a selection of products from the Saint Laurent collection alongside works by emerging and established artists. This month, they’re showing Sho Shibuya‘s ethereal solar paintings, following the artist’s debut in Miami.

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Another must-see show is The Magritte machine at Thyssen Museum Madrid (closing on 30 January). As Sotheby’s is betting big on Magritte with a $60 Million consignment for their forthcoming London auction, this exhibition offers visitors the opportunity to discover more about the surrealist Belgian artist.

René Magritte Tentative de l’impossible 1928. Toyota Municipal Museum of Art, Toyota © René Magritte, VEGAP, Madrid, 2021

Then, at the end of this month, Buckingham Palace will reveal seven portraits of Holocaust survivors, which were commissioned by Prince Charles as a gesture of tribute to the ageing generation. The artists participating in the project include the most expensive living female artist Jenny Saville, BP Portrait award-winner Clara Drummond, original member of the Young British Artists Stuart Pearson Wright, and painters Paul Benney, Peter Kuhfeld, Massimiliano Pironti, and Ishbel Myerscough. The paintings will be displayed in the Queen’s Gallery starting January 27 in an exhibition called Seven Portraits: Surviving the Holocaust.

Idris Khan, Artist

Perhaps rather predictably, my recommended exhibition for this month is my wife, Annie Morris’s show When a Happy Thing Falls at the Yorkshire Sculpture Park. It’s her first UK solo museum exhibition and includes her sculptures as well as drawings and a tapestry. The show ends on 6 February so it’s your last chance to see it!

Read more: In the studio with Idris Khan

outdoor sculpture

Annie Morris, Stack 9 Ultramarine Blue, 2021. Photo © Jonty Wilde. Courtesy Yorkshire Sculpture Park

Lawrence Van Hagen, Founder of LVH Art Advisory & Curator of the ‘What’s Up’ exhibitions

Rachel Jones’ solo exhibition SMIIILLLLEEEE at Thaddaeus Ropac, London (on until 5 February) has deservedly received a lot of media attention. The 30-year-old Essex-based artist is already a distinctive voice in the art world (she was one of the youngest artists to participate in the Hayward Gallery’s acclaimed exhibition Mixing It Up) and one of the most exciting emerging artists that I have personally come across, and acquired in recent years.

artist portrait

Rachel Jones in her studio. Photo by Adama Jalloh

As the title suggests, the exhibition references the artist’s ongoing obsession with mouths and specifically, teeth. In the works, she combines figuration and abstraction to reflect on teeth as a form of cultural expression in Black communities. The mouth also seems to be a metaphor for the world within us, our emotional landscape and the gate to our soul as we smile, eat, sing, scream, kiss… The clearest example in this show is a work that’s only 30cm high but more than 2-metres wide. It pictures a set of teeth and the canvas is trimmed at the bottom to follow the uneven shape of the molars and incisors. Rachel also has a solo show coming up at Chisenhale Gallery (opening 12 March) – another date for the diary!

Read more: Shiny Surfaces, Lawsuits & Pink Inflatable Rabbits: Jeff Koons

Millie Walton, LUX’s Art & Digital Editor

A few years ago, I was lucky enough to meet Dutch artist Jacqueline de Jong in the context of her solo exhibition at Pippy Houldsworth Gallery in Mayfair. We chatted at length about her process (which is completely spontaneous in the sense that she never plans her compositions) and her participation in the anti-authoritarian Situationist International (SI) group. Although the group wasn’t an artistic movement, de Jong was greatly inspired by its revolutionary spirit which can be felt in her vibrant colour palette and fluid forms that seem to writhe on the canvas. She has been making work for over six decades, but it isn’t until now that she’s beginning to finally garner international recognition.

abstract drawing

Jacqueline de Jong, Untitled (Upstairs-Downstairs), 1986

This month, she has two major solo exhibitions including a museum survey entitled The Ultimate Kiss, which was inaugurated by WIELS, Brussels, in 2021 and is currently on show at MOSTYN, Wales (until 6 February) as well as another solo exhibition at Pippy Houldsworth Gallery (21 January to 12 March 2022) which includes a series of drawings related to her Upstairs-Downstairs paintings from the mid 1980s. I’m hoping I’ll get to see both!

mixed media painting

Januario Jano, Untitled (M0010), 2021.

I also recommend stopping by Kristin Hjellegjerde Gallery’s Wandsworth space to see Angolan artist Januario Jano’s vibrant, thoughtful show Imbambas: Unsettled Feelings of Object & Self (on until 5 February). Jano takes the Kimbundu term imbambas (which refers to things such as furniture and luggage that have an intrinsic and uncanny relationship to the body and self) as his departing point through which to explore the role of the object in the construction and reinforcement of cultural identity. The exhibition features a wide range of mixed-media works, incorporating textiles, photography and found objects.

 

 

 

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British artist grayson perry london exhibition
British Artist Grayson Perry at Serpentin

Grayson Perry, Installation view, Serpentine Gallery, London. Photograph: Robert Glowacki.

British artist Grayson Perry refers to himself as a “communicator”, one who is aiming to “communicate to as wide an audience as possible”, which means, at this time, bridging the gap in Britain between a divided society. As such, the centrepiece of “The Most Popular Art Exhibition Ever!”, at the Serpentine Gallery, are the Brexit pots (provocatively titled “The Matching Pair”), which were created with the help of the British public who were invited, through social media, to contribute ideas, images and phrases. From across the room, these huge blue vases look remarkably similar; look closer and the images reveal not only two opposing view-points, but the artist’s own political sway. The Leave pot has Nigel Farage, Big Ben, Winston Churchill and ketchup, whilst the Remain pot is a collage of romance and literature, with a portrait of Shakespeare and kissing couples.

Grayson Perry

‘King of Nowhere’, 2015, Cast iron and mixed media, Photography: Stephen White.

Elsewhere, Grayson pokes fun at fat cat art collectors with one liner quips scrawled across his ceramics, such as “flat whites against racism”, and “luxury brands for social justice”. The bronze sculptures are perhaps the most striking, delving deep into the modern psyche and issues of identity: “King of Nowhere” is a wide legged, cap-wearing drunk with scissors and knifes plunged into his skin, surrounded by miniature bottles of whisky. It’s an overwhelming and chaotic insight into Grayson’s mind, a whirlwind of contrasting words and images that confront the viewer from even the most mundane of objects. Amusing on the surface with ominously aggressive undertones, it seems to me, to be a fairly accurate reflection of the current state of British society.

Millie Walton

Grayson Perry: The Most Popular Art Exhibition Ever!” runs until 10th September 2017 at The Serpentine Gallery, London 

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