Winner of Claridge’s first Royal Academy Schools Art Prize, the young performance artist Daria Blum has taken to their ArtSpace to point fingers at you – no, me – no, her.
LUX Magazine: What is the significance of the pointed finger?
Daria Blum: The gesture of the pointed finger has appeared repeatedly within my work, and in this performance I was interested in investigating its multiple meanings through subtle changes in direction and tension, using it to claim attention, cast a spell, blame, or ‘point the finger’. The sculptural works in the show also reference this act of deflection through the use of the pop filters, which are used to deflect air from reaching the microphone when speaking or singing into it. The mic stand sculptures emphasise the absence of the voice, which is an important aspect within the exhibition — I’ve been thinking about the demand for (live) performance, within my own practice as a ‘performance artist’ but also within the arts more broadly, and even though I ultimately ‘give in’ by performing this piece, there is a reluctance to speak, to sing, to be perceived.
In her performance for the exhibition ‘Daria Blum: Drip Drip Point Warp Spin Buckle Rot’, Blum stares down the audience, slowly directing her pointed finger to each member.
After her live performance, Blum makes her way through the audience and slips out the door at the back. The performance then takes on a digital aspect, transporting the audience into new worlds.
Blum appears on screen, continuing to point her finger as she makes her way through an abandoned 1970s office building.
Blum’s performance takes place amongst her ‘Redeflect’ installations that combine microphones, stands, and digital prints.
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