A white hotel building with an outdoor pool surrounded by grass and trees
A white hotel building with an outdoor pool surrounded by grass and trees
LUX check in to a spectacularly remastered resort hotel on the edge of Zurich, with a rich rock music history and a deliciously gastronomic and partying present

Sometimes first impressions are wrong. I arrived at the FIVE hotel and resort in Zurich, and walked into the brightly lit, modernist lobby with brown pillars and a wooden island of sofas and magazines in the middle of its white floor, with young black clad staff behind the desk. I sensed I had arrived at a US-style designer hotel, where cool matters more than function, and staff are more interested in their next screen test or modelling job than guests.

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But this is Switzerland, not LA, and I was wrong – in the best possible way. The reception staff were young and informal, but also highly efficient, trained and motivated. That extended to everyone, from the spa receptionist to the bar staff and brilliant teams in the restaurants, who were swift, helpful, chatty, and remembered requests and ideas the next day, without being formal or tiring.

A restaurant with red tables and white chairs

But let’s not get ahead of ourselves. The FIVE is a new iteration of a historic hotel, in 20th century terms anyway, the Atlantis, which hosted most of the 20th century’s major names in pop and rock. Behind the Reception desk is a tribute in the form of album covers: ABBA, Grace Jones, Stevie Wonder, Michael Jackson.

The latest reimagination of this hotel, on a hillside on the very edge of Zurich (to one side there is deep woodland, with the city starting below a public park on the other side) blends funky, contemporary vibes with a thick dash of 70s and 80s nostalgia.

A bedroom with a view of a city and beige headboard and throw on the bed

Our room had a huge view over the city, to the lake on one side, and forested hills beyond. The hotel brands itself as the hottest hotel and nightlife destination in Zurich, which could be a mixed blessing; thankfully some bass thumping from a rooftop party, during the day on the Sunday we arrived, stopped in the early evening and never reoccurred. There was a small balcony, a huge bed, more than 2 metres across, a big contemporary bathroom and a generally very relaxed vibe – there is not a car or street sound to be heard at the FIVE.

One of the hotel’s showcases is its outdoor pool, 25 metres long with a huge jacuzzi to match; apparently there is quite a party scene there every weekend, but unusually rainy weather for the duration of our stay meant we couldn’t experience it. There is a chic indoor pool, with a water feature outside the picture window the lines it, and a smaller jacuzzi.

A swimming pool surrounded by chairs and grass

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An undoubted, and slightly unexpected, highlight, of the FIVE is its cuisine. There are four restaurants, most of them situated on a single mezzanine floor with a picture window view across the city and a vast terrace outside. Inside, the decor for each is quite different even though they are effectively in one big open plan space; outside the huge terrace area was sadly out of bounds during the rainstorms of our visit.

I tried the Chinese restaurant, Maiden Shanghai, on my first night,. The decor was a bit bright – Chinese restaurants should be dark, but this is the same place they serve breakfast, and dual-use always leads to compromises. I was a little sceptical about Chinese food on the edge of Zurich but – wow. The hot and sour chicken soup was vivid, vibrating with flavour, no glutinousness, the chicken pure, the spicing zingy. Over many years of travelling Hong Kong and neighbouring provinces of China, this is possibly the best example of this soup I have tasted – perhaps a bit Europeanised in terms of leanness and no fat, but brilliant.

chinese food in a black bowl

The “hand folded mushroom dim sum” had a sweetness to its parcel, and an intensity and umami to its fungi, that again suggested a detail and quality freak was in charge of the kitchen. Meanwhile the quality of ingredients in the sea bass broth main course, including the fleshy and firm fish and wonderful trumpet mushrooms, was superb, as was the flavouring, but there was a layer of oil (perhaps from the fish itself) that slightly marred the purity.

Read more: Great Drive: Lake Zurich, Switzerland to the Tuscany Coast, Italy

On my second night, over to the Vault Wine Bar, just a few metres along the same floor, which has better (darker) lighting and comfortable armchair seating. From the iPad based menu I chose a minestrone, an “insalata” (salad) and the grilled baby chicken main course, Straightforward comfort food to accompany some cocktails, or so I thought, The minestrone was a light, intense tomato broth into which there had been infused some beautifully diced and cooked vegetables: once again, the flavour was beautiful, intense. The “insalata” could have been a standard mixed salad, again, the quality of ingredients – avocado of wondrous flavour, herbs from a nearby hillside, black Italian tomatoes and a splash of balsamic vinaigrette – made it superb. The chicken was as good as the poulet de bresse in a three Michelin starred restaurant I visited recently.

A lounge with green and red chars and dim lighting

FIVE Zurich is a rare place, where the food far exceeds the expectations set by the descriptions on the menus.

My bar meal was accompanied by some Moscow Mules with intense fresh ginger, served in the correct copper mug, and highly flavoursome limes. It’s as if no average ingredient can make it through the door of the FIVE.

All of this, and FIVE is on the edge of one of Europe’s premier art cities (and Zurich also has an excellent array of bars and clubs); a 20 minute Uber from the centre of town (it’s too far to walk), yet on the edge of a forest. You could go during a business trip or for a holiday – and my superb experience even excluded all the extensive outdoor areas because of the weather. Quite special.

Find out more: zurich.fivehotelsandresorts.com

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A group of men and women standing together for a photograph
A group of men and women standing together for a photograph

Dia Anitska, Daniela de Jesus Cosio, Sassan Behnam-Bakhtiar, Ali Jassim, Jak Bueno and guest

A glamorous art-fashion crowd gathered in Berkeley Square, London, for a preview of Sassan Behnam-Bakhtiar’s “Age of Energy” solo show. The selling exhibition from the French-Iranian artist was curated by Kamiar Maleki, and supported by German gallerist Samandar Setareh and LUX

A blonde woman in a pink dress standing next to a man a black suit and tie with a white shirt

Natalie and Zafar Rushdie

a man wearing a purple tie dye jumper, blue jeans and orange trainers standing between two men in dark suits

Darius Sanai, Sassan Behnam-Bakhtiar and Kamiar Maleki

A man wearing a yellow and black striped coord standing next to a woman wearing a black hat, jacket and jeans with a grey striped top

Nettie Wakefield and Owen McGinnity

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A woman wearing a floral skirt standing next to a man wearing a purple jumper and orange trainers next a woman and man wearing brown and pink clothes

Cheyenne Westphal, Sassan Behnam-Bakhtiar, Katy Wickremesinghe and Stephen Webster

Two women posing for a photo holding a dog

Sabine Roemer and Bettina Bahlsen

a man wearing a purple tie dye jumper, blue jeans and orange trainers standing next to a man wearing a green hoodie and brown and on the side a man in a black jacket and jeans and white top

Dumi Oburota, Sassan Behnam-Bakhtiar and Dias Feld

Two men and women standing together wearing blue and grey outfits

Kobi Prempeh and Pippa Bennett-Warner

A woman wearing a red suit holding a wine glass

Camilla Rutherford

A man and woman wearing black outfits

Leila Maleki and Sadegh Dolatshahi

A man in a black suit standing next to a man wearing a purple tie dye jumper, blue jeans and orange trainers standing next to a man wearing a beaded dress and head cover

Daniel Lismore, Sassan Behnam-Bakhtiar and Kamiar Maleki

A man in a brown jacket standing next to a women wearing a silk pink and black dress

Amber Le Bon and Stephen Webster

A woman in a black and white suit standing between a man in an all black suit and another man wearing a purple tie dye jumper, blue jeans and orange trainers

Sassan Behnam-Bakhtiar with Fatima and Kamiar Maleki

This article was first published in the Spring/Summer 2023 issue of LUX

SASSAN TO PROVIDE TWO MORE LINES OF INFORMATION ABOUT LAUNCH IN MONACO 29 JUNE HERE

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A woman holding a ball
A woman holding a ball

Physicist Laura Aguale

New environmental arts charity Platform Earth launched at a star-studded event in London. Jude Law and astronaut Nicole Stott read to the crowd, who bid on works from the likes of Rachel Whiteread and Shezad Dawood, in aid of marine carbon capture

Guests included physicist Laura Aguale, members of the Platform Earth team George Butler, Mark Sanders, Florence Devereaux, Petroc Sesti and Richard Wadhams; as well as Ruth Ganesh and Mollie Dent Brocklehurst.  Ben Okri, Jude Law and former NASA astronaut Nicole Stott were among those who gave an ocean-themed reading.

A group standing by a wall of pictures

Members of the Platform Earth team George Butler, Mark Sanders, Florence Devereaux, Petroc Sesti and Richard Wadhams

Jude Law giving a speech

Actor Jude Law

Nicole Stott wearing a black dress reading a speech

Former NASA astronaut Nicole Stott

Ben Okri giving a speech

Jasmine Pelham, Saskia Spender and Richard Hudson

A woman taking a photo of a wall of pictures

Artworks on sale made entirely from captured air pollution

Ben Okri giving a speech

Poet Ben Okri

A man giving a speech in front of a staircase

Ruth Ganesh, Petroc Sesti and Mollie Dent Brocklehurst

Find out more: platformearth.com

This article appears in the Summer 2022 issue of LUX

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A blonde woman singing in a choir

Rowan Pierce, soprano & Peter Manning, Conductor

LUX sponsors a charity evening of music by candlelight with some starry guests at a palatial setting in London’s Chelsea.

 

The Bath Festival Orchestra (BFO) gave an intimate recital to an audience including some of London’s most significant philanthropists in the State Apartments at the Royal Hospital Chelsea.

Star act was soprano Rowan Pierce, who entranced the audience with a rendition of Deh Vieni from Le Nozze di Figaro. Sipping some Nyetimber sparkling wine before and after the recital, the audience, there to support the BFO, was enraptured.

Two women

Sally Greene and Countess Andrea Hamilton

An asian woman talking to a group of people

Olivia Ma, David Banks and Aud Jebsen

An old man in a red army uniform standing next to a man in a suit

William Waggott and Chelsea Pensioner

A man clapping in an audience
A bag, flowers and magazine on a table

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An old man and women

Aud Jebsen and David Banks

A boy standing between two women

Paige Nelson, Edouard Favre-Gilly de Bueil and Comtesse Marie Laure Favre-Gilly de Varennes de Bueil

A woman playing the violin

Maren Bosma, Leader

A thank you note in red and black

Later this year, the BFO will be performing Schumann’s Cello Concerto at Kings Place, Beethoven’s Violin Concerto at Cadogan Hall, and a ground-breaking new commission from pre-eminent American composer Tod Machover, where music will meet science.

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festive table arrangement
festive table arrangement

Photograph by Jennifer Sosa

As Christmas fast approaches, Los Angeles-based chef and entrepreneur Olivia Muniak shares her tips on curating a successful festive party for family and friends

For me, the holiday season revolves around dreaming up new and exciting menus that reinvent classic favourites with seasonal ingredients and unexpected flavours. Admittedly, hosting is in my job description, but I take the same pleasure in putting on a magical evening for my friends as I do in designing an event for clients. Below, are a few tricks I’ve learnt over the years to reduce stress and ensure success.

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1. Atmosphere & Music

Curating a successful event in your home is about all achieving the perfect balance of food, drink, atmosphere and music. Personally, I like to use lots of unscented candles dotted around the house and assembled on the dining table. It’s a quick and easy way to create a warm, magical atmosphere.

In terms of music, I usually prepare playlist of my favourite artists such as Cesaria Evora, Amanz, Buena Vista Social Club and Rhye. Random pop or rock songs playing from your Spotify “like” list can make for a bumpy night.

Right now, I can’t stop listening to… Orchestra Baobab.

woman mixing cocktails

Olivia mixing cocktails in her home. Photograph by Jennifer Sosa

2. Aperitivo Hour

Building in time to greet your guests with cocktails is the warmest way to welcome someone into your home. I find that if you can allow time to enjoy conversation and a drink with friends, it sets the tone for a more fun and relaxed evening. Having a large batch of cocktails pre-mixed so that you can pour the liquid over ice makes your job as bartender even easier.

Try this cocktail… Bianco (White) Negroni 

Read more: Alain Ducasse & Dom Pérignon’s Ephemeral Dining Experience

3. Wine & Food Pairings

Even the simplest wine pairing can really elevate an event. While some guests or family members might prefer stick to their preference of white or red, try offering different varieties of grapes that enhance the flavours of your dish. It might sound obvious, but I find the best place to start is often the local wine shop. It can be really helpful to get some expert advice based both on what you’re cooking and the kind of atmosphere you’d like to create.

This Christmas I’ll be drinking… a Barolo in Tuscany.

woman preparing a salad

Photograph by Jennifer Sosa

4. Approaching Cooking Like a Pro

People always ask how I make cooking and entertaining look and feel so easy, my answer is always prep! I begin the shopping and the cooking days before the party so that when it comes to the evening, I get to actually enjoy the event.

I start by reading the recipe through a few times to make sure I’m not missing any specific produce or complicated processes – you don’t want your guests arriving just after you’ve discovered the main dish needs 3hrs in the oven. Then, I prepare my mis-en-place (a French culinary term that refers to a chef’s “set” station) so that I have each ingredient pre-measured and ready at my fingertips.

Read more: Prince Robert de Luxembourg on Art & Fine Wine

There are often things that can be done the morning of the event, or even the day before, which will, again, save you time and stress when your guests arrive. Vegetables, for example, can often be precooked and a salad (undressed) can be ready in the fridge. Personally, I like to make the dessert a day or two prior to the party.

I also highly recommend trying to stay on top of your washing up during the cooking process – having an empty dishwasher is a lifesaver for that late-night clean up. Or else, opt for a glamorous approach (it’s Christmas, after all) and hire someone to help out with serving food, pouring wine and clearing away dishes.

The most thumbed cookbook in my kitchen… Gjelina: Cooking from Venice, California by Travis Lett

curated dining table

Photograph by Jennifer Sosa

5. Decor

I’m a collector by nature. Over the years, I have amassed all sorts of dishes, serving platters,  vintage glassware and eclectic trinkets. Personally, I think life’s too short to be precious about Grandma’s china, but if you have a slim collection at home, there are numerous rental companies from which you can source beautiful dishes, glassware and flatware (and most let you return it dirty).

Outside of the necessary items on the table, I like to add small vases with delicate florals, or larger clusters of sparse branches arranged in clear vases so guests can still see each other across the table. A simple, dark velvet ribbon tied around a napkin is a quick way to add texture, colour and sensuality to a table.

My favourite homeware shop… Il Buco Vita in New York City.

Olivia Muniak is the founder of La Cura, a Los Angeles-based catering and events company. For more information, visit: thisislacura.com

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A group of people
A group of people

Left to right: Catherine Lampert, Kate Gordon, Idris Khan, Georgina Cohen & Gregor Muir. Bottom: Sigrid Kirk & Maryam Eisler

LUX’s Chief Contributing Editor Maryam Eisler’s latest photographic series entitled Once Upon A Turquoise Past brings together memories of her homeland, Iran, and formative years spent in Europe and New York in the 1980s and 90s. Presented in an exhibition curated by Carrie Scott at Linley Belgravia, the dreamlike photographs reference writings of Persian writers such as Rumi, Hafez and Attar, as well as Charles Baudelaire’s Invitation to the Voyage set against the grand backdrop of Leighton House, the Victorian Kensington home of Orientalist Lord Leighton. LUX invited a number of guests to the opening of the show.
two women and a man standing by some steps

Left to right: David Linley, Maryam Eisler & Isabelle de la Bruyere

A woman and two men taking a selfie

Left to right: Maryam Eisler, Darius Sanai & Idris Khan

A woman in Turquoise feather dress next to a woman in a black leather coat

Left to right: Sarah Lovegrove & Lydia Connell

A painting on a wall by a table

Rise Up and Play by Maryam Eisler

women standing in front of photograph

Maryam Eisler & Meihui Liu

A man in a suit and a woman in a bleu dress standing on steps

Mark-Francis Vandelli & Marie Moatti

three women and a man standing for a photograph

Left to right: David Linley, Carrie Scott, Maryam Eisler & Katy Wickremesinghe

A painting on a wall by a table

Afshin Naghouni & Silvana Maragliulo

three women posing for a photo

Left to right: Emma Samuel, Donna Younis & Clare Schifano

abstract portrait photograph

Collective Memories by Maryam Eisler

three pictures above a table

Top Image: Wanderlust by Maryam Eisler

Bottom Left Image: There’s A Crack In Everything. That’s How The Light Gets In by Maryam Eisler

Bottom Right Image: Shadowplay by Maryam Eisler

Maryam Eisler: Once Upon a Turquoise Past runs until 28 November 2021 at LINLEY Belgravia. For more information, visit: davidlinley.com

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Grand dinner in palace
Grand dinner in palace

Dinner hosted by the owners of Château Mouton Rothschild at the Palace of Versailles. Image by Leif Carlsson

Menu of winesThe Palace of Versailles hosted one of its most opulent evenings since the times of Louis XVI, as the owners of Château Mouton Rothschild invited guests, including royalty, winners of some very special auction wines and LUX, to an evening of music and cuisine catered personally by Alain Ducasse. All in aid of the Palace’s restoration fund

Guests at the Versailles Celebration Gala Dinner, including (see below image) Catherine Pégard, Prince Albert II Monaco, Julien de Beaumarchais de Rothschild, Camille Sereys de Rothschild, and Philippe Sereys de Rothschild, enjoyed a menu created with the personal oversight of Alain Ducasse, accompanied by legendary vintages of Mouton Rothschild, including the celebrated 1982 and near-mythical 1945, direct from the estate’s cellars.

For more information visit: chateau-mouton-rothschild.com/ chateauversailles.fr/

This article was originally published in the Spring 2020 Issue.
Line of black tie guests

formal dance in a palace ballroom

Bottle of vintage wine held by a waiter

Fireworks over a lake

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Vibrant abstract painting
Vibrant abstract painting

Red Extremis (2019), Sassan Behnam-Bakhtiar

Last week saw the opening of Franco-Iranian artist Sassan Behnam-Bakhtiar’s latest solo exhibition Extremis at the Setareh Gallery in Düsseldorf

A glamorous collection of international guests filled Setareh Gallery in Düsseldorf for the opening party of Sassan Behnam-Bakhtiar’s latest exhibition, which included an exclusive candlelit dinner amidst the paintings. Amongst those admiring the bold new artworks were model Jodie Kidd, singer Pixie Lott with her fiancé Oliver Cheshire and actress Millie Brady.

Follow LUX on Instagram: luxthemagazine

Dinner party in an art gallery

Dinner guests at art gallery

Sassan Behnam-Bakhtiar with model Jodie Kidd (right) and Amber Le Bon (left)

The exhibition’s title Extremis comes from the latin phrase in extremis, meaning in ‘an extremely difficult situation’ or ‘at the moment of death’, an apt name for this collection of paintings that delve into a turbulent period in the artist’s life in post-revolution Iran.

Artist standing amongst work in art gallery

Sassan Behnam-Bakhtiar standing amidst his artworks

Guests admiring artworks in gallery opening

Guests admiring the paintings in detail

Read more: How Hong Kong’s M+ museum will transform Asia’s art scene

As with all of his works, the paintings were created through the artist’s signature method which involves scrapping away the upper layers of paint away to leave the under layers exposed. Each work takes several months or even years to complete as the artist progresses from bright and vivid colours to darker tones creating a unique sense of multi-dimensionality and movement.

Private view at an art gallery

Vivid blue abstract painting

Sky is the Limit (2019), Sassan Behnam-Bakhtiar

Vivid abstract pink painting

Passage of Life (2019), Sassan Behnam-Bakhtiar

‘Extremis’ runs until 23 November 2019 at Setareh Gallery, Düsseldorf. For more information visit: setareh-gallery.com

 

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Courtyard party showing large monochrome artwork of hands
Courtyard party showing large monochrome artwork of hands

Iranian artist Shirin Neshat’s label designs on display at the closing ceremony of the Ornellaia auction at the Peggy Guggenheim Collection in Venice

Italian wine producer Ornellia’s 11th annual online benefit auction in collaboration with Sotheby’s and the Solomon. R. Guggenheim museum, featured vintages with label designs by Iranian artist Shirin Neshat. Digital Editor Millie Walton recalls the closing ceremony at the Peggy Guggenheim Collection in Venice

Photography by James Houston

Gliding along the Venetian canals as the sun sets is one of those rare moments when real-life seems to align with cinema. More than a couple of times during the evening, as we stood in the courtyard and then, on rooftop of the Peggy Guggenheim Collection sipping glasses of Ornellaia vintage, someone compared the evening’s scene to La Grande Bellezza. We were invited though, not just for the wine, views and glamorous company, but to celebrate the funds raised by the Sotheby’s conducted auction of Ornellaia in support of the Mind’s Eye Program at the Solomon. R. Guggenheim Museum.

Party guests stand in courtyard watching a screen

Guests watching the final few minutes of the online auction projected onto a screen

Large wine bottle with artistic label

One of Neshat’s label designs

The auction is part of the Italian wine producer’s Vendemmia d’Artista project, which each year, commissions a different contemporary artist to create an artwork for a series of limited-edition labels. The artist is give a single word description of that year’s harvest as the starting point. For Shirin Neshat, the prompt was “La Tensione” (or tension in English).

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Known for her iconic monochrome aesthetic and poetic vision, the Iranian artist produced a haunting series of photographs of luminous white hands captured in various postures and inscribed with Persian script. These images became labels for bottles of the 2016 vintage, which were auctioned in 11 unique lots, the most coveted of which included a visit to the Ornellaia vineyard and a luxurious overnight stay.

Two women speaking at a drinks party

Artist Shirin Neshat, who produced a series of monochrome photographs for the Italian wine producer

Following a series of speeches from various team members at Ornellaia and Neshat herself, the auctioneer called an end to the bidding, announcing an impressive total of $312.000.

For more information on Ornellaia Vendemmia d’Artista visit: ornellaia.com/en/vendemmia-d-artista

 

 

 

 

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Reading time: 2 min
Orchestra in performance
Female opera singer mid performance in a blue Arabian style dress

Opera singer Anna Netrebko portraying Adriana Lecouvreur, wearing a costume encrusted with Swarovski crystals. © Swarovski/Thomas Steinlechner

LUX Editor-in-Chief Darius Sanai attends the premiere night of Adriana Lecouvreur sponsored by Swarovski at the Salzburg Festival

Darius Sanai with Nadja Swarovski

LUX had a wonderful time at the weekend at the Salzburg Festival’s premiere of the choral opera Adriana Lecouvreur, featuring the astonishing Anna Netrebko, probably the greatest singer in the world, in the title role. Netrebko’s voice was a performance in itself at the Grosses Festspielhaus in Salzburg, powerful, emotive, an orchestra without an orchestra.

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Our editor-in-chief Darius Sanai enjoyed some engaging chats over Louis Roederer champagne afterwards with Nadja Swarovski, who sponsored the show, and various members of the Swarovski family and their friends.

Swarovski also provided the crystals for the costumes worn by the leading roles – and Netrebko in a stunning green gown adorned with crystals that seemed to radiate beams of light, in the first act, was particularly memorable.

Utterly fabulous, and Netrebko’s was a performance for the ages.

Find out more: salzburgerfestspiele.at and swarovski.com

Inside a costume making workshop

The costumes in making (here and below). Image by Thomas Steinlechner

Artistic sketch of costume dress

Opera singer in an orange dress in performance

Anna Netrebko in performance. © Swarovski/Thomas Steinlechner

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Luxury hotel skyscraper building against a blue sky
Luxury hotel skyscraper building against a blue sky

The new flagship Rosewood hotel in Hong Kong

Hong Kong’s brand-new Rosewood Hotel is a triumph of taste and style, says Darius Sanai

It was the party to end all parties in Hong Kong last weekend, as the Cheng family, HK’s answer to London’s Grosvenors or New York’s Vanderbilts, opened their global flagship Rosewood hotel here.

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Moving speeches, fabulous conversation, amazing design, O Toro from Japan, Hospices de Beaune Meursault from Burgundy, pata negra from Andalucia, and a feeling throughout that you are in a very swanky, perfectly curated version of a Soho House.

The hotel, the brainchild of Sonia Cheng, third generation scion of the family, was nearly a decade in the making and is one of the centrepieces of the Victoria Dockside development, Hong Kong’s answer to New York’s Hudson Yards, masterminded by her elder brother Adrian.

Four people standing on a stage in front of Rosewood Hong Kong sign

From left to right: Ms. Katherine Mei Hing, Dr. Hendry Cheng, Ms. Sonia Cheng and Dr. Adrian Cheng at the opening part of Rosewood Hong Kong

Three asian women at an after party in a club setting

From left to right: Ms. Sonia Chen, Ms. Katherine Mei Hing and Ms. Pansy Ho attend the Rosewood Hong Kong opening party

Every detail is both exquisite and tasteful – the Rosewood Hong Kong is the polar opposite to those gold plated, taste free monoliths in the Gulf.  All around, you feel that you are surrounded not just by expensive things, but by extremely thoughtfully chosen ones.

Our favourite bit? The Manor Club, on the 40th floor. Shelves are lined with gorgeous art books, there was an extremely professional game of snooker going on in one room, and a door behind the bar opens up to the most stunning view of Hong Kong, and the Peak behind, of any hotel.

Worth visiting now, and even more so when the Victoria Dockside finishes in all its cultural glory later this year.

Book your stay: rosewoodhotels.com/en/hong-kong

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Two colourful sculptures of men standing in a lush green garden
artistically decorated living room with large mural over fire place and two colourful sculptures standing either side

Sassan Behnam-Bakhtiar’s sculptures stand alongside Jean Cocteau’s murals in Villa Santo Sospir

Last week saw the private view and opening of French-Iranian artist Sassan Behnam-Bakhtiar’s latest exhibition. LUX Editor-in-Chief Darius Sanai was entranced.

The mesmerising Villa Santo Sospir on Cap Ferrat in the south of France, once home to Jean Cocteau, played host to Sassan Behnam-Bakhtiar’s private view of his Oneness Wholeness with Jean Cocteau exhibition; LUX was privileged to be invited.

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Two colourful sculptures of men standing in a lush green garden

The villa itself is something of an anomaly on Cap Ferrat, perhaps the swankiest real estate spot in Europe. Walk down the steep drive from the little road (just around the corner from the Four Seasons Grand Hotel du Cap Ferrat) and you are transported into the 1950s. No bulletproof glass or architect-designed pavilions here: just a low-rise villa, its gardens festooned with bougainvillea and bamboo, and, inside, walls decorated with intricate murals by Cocteau himself.

Party on the edge of the sea as the sun is setting people gather around colourful sculptures

Those attending included Lily ColeRichard BiedulNathalie EmmanuelKiera Chaplin and Jo Wood.

A line up of guests at art opening along with Sassan Behnam-Bakhtiar and and Maria Behnam-Bakhtiar

From right to left: Natalie Rushdie, Maria Behnam-Bakhtiar, Sassan Behnam-Bakhtiar, Melissa Tarling, Richard Biedul and Nathalie Emmanuel

Kate Slesinger with artist Sassan Behnam-Bakhtiar and LUX editor Darius Sanai

Kate Slesinger, Sassan Behnam-Bakhtiar and Darius Sanai

Model and TV personality Jo Wood poses with her son at art opening

Tyrone Wood and Jo Wood

Guests were scattered through the cosy living room, onto the terrace, down the stairs on another garden terrace, and on a final, lowest level near the sea, but the stars of the show were Behnam-Bakhtiar’s sculptures (which also adorn one of the special covers of this issue of LUX magazine) and a soundtrack which featured Cocteau himself, present among us.

Artist Sassan Behnam-Bakhtiar in conversation with British actress Nathalie Emmanuel in an artistically decorated living room

Sassan Behnam-Bakhtiar with Nathalie Emmanuel

A crowd of people and sculptures on the cliff edge as the sun sets over the ocean in the distance

Silhouettes of guests merge with Sassan Behnam-Bakhtiar’s sculptures as the sun sets

As a storm cleared and the sun set over Cap d’Antibes and the Massif de l’Esterel in the distance, the melancholy and joy of Behnam-Bakhtiar’s creations added an extra note to the end of summer in an area that has inspired artists for generations. Who knows, perhaps its the start of a new life for the Cote d’Azur as an artistic hub, generations after the likes of Picasso, Matisse, Van GoghCézanne and Dufy were mesmerised by the light, shapes and people here.

Oneness Wholeness with Jean Cocteau runs until 30 September at Villa Santo Sospir

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Moynat luxury leather shop

Moynat’s shop in Selfridges, London

It was hand-painted handbags at dusk at the new, gallery-like Accessories Hall at Selfridges in London as Moynat, the uber-exclusive Parisian leather goods company, opened its new shop-within-a-shop in the most prime location in the area. Moynat’s urbane, intellectual CEO Guillaume Davin (who appears more like a perfectly-coiffed character out of a Michel de Montaigne essay, than a luxury brand CEO) was on hand to greet visiting journalistic and customer illuminati, as was creative director Ramesh Nair.

Moynat's CEO Guillaume Davin, Creative Director, Ramesh Nair and LUX Editor-in-Chief Darius Sanai holding flutes of champagne in Moynat shop

Moynat’s CEO Guillaume Davin, Creative Director, Ramesh Nair and LUX Editor-in-Chief Darius Sanai at the launch of Moynat in Selfridges. Photo by David M. Benett/Dave Benett/Getty Images for Moynat

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Suzy Menkes Vogue Editor in wearing floral dress and heels

International Vogue Editor Suzy Menkes at Moynat launch party. Photo by David M. Benett/Dave Benett/Getty Images for Moynat

The star of the show, though, was surely the painter, Laure, who sat at a table in the centre of the shop painting motifs onto Moynat’s extremely expensive leather with special acrylic paints. One prototype bag featured a motif of Louis Bleriot’s ‘XI’, the first plane to cross the Channel, which appeared and disappeared with temperature fluctuations.

Artist painting onto leather bag

Artist, Laure, painting motifs onto Moynat leather. Photo by David M. Benett/Dave Benett/Getty Images for Moynat

Luxury leather handbags

Moynat handbags. Photo by David M. Benett/Dave Benett/Getty Images for MOYNAT)

Meanwhile Nair, wearing a black T-shirt and fizzing with ideas, told LUX about a couple of new concepts he is planning, including one so avant-garde he hasn’t yet dared run it past Davin. Watch this space.

moynat.com

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Roof Terrace - A state-of-the-art stage boasts elaborate pyrotechnics and laser shows
Roof Terrace - A state-of-the-art stage boasts elaborate pyrotechnics and laser shows

Roof Terrace – A state-of-the-art stage boasts elaborate pyrotechnics and laser shows

The new Ushuaia Tower brings a whole new dimension of rave to Ibiza’s party scene, observes DARIUS SANAI on a flying visit to his favourite summertime island

It’s midnight on a July Friday night in Ibiza – the night is just getting going – and a thousand people are waving their arms and tanned bodies in front of uber-DJ David Guetta, who is on stage playing Swedish House Mafia’s “Don’t You Worry Child”. The crowd has shaped itself around an enormous swimming pool, which is cordoned off for the night; beyond them, another crowd of onlookers is swarming on the beach; in the distance are the lights of Ibiza Town.

I can see all this because I am at a party of my own, on the roof terrace of the just-opened Ushuaia Tower Beach Hotel, where a competing DJ plays equally vibrant music. The crowd downstairs, where I have just come up from, is young, Hoxton-chic boys and girls delighted to get into the pool party, dressed in a mix of designer and carefully picked fast fashion: it feels like being in the moving heart of a particularly snappy Instagram feed: #gowildbaby.

Upstairs on the roof, it’s a little cooler, in every way. Brands have been pushed together with foresight. Partiers are a little older, a little more restrained: their wild days, you feel, are either behind them, or a couple of hours ahead. The moon reflected in the smooth Mediterranean would be almost romantic, if the DJ weren’t pumping out Avicii at the highest octane.

Welcome to the Ushuaia Tower. I have been invited as a guest to see the opening of the party island’s coolest new club, which sits atop a new luxury hotel tower between Ibiza Town and the airport, built for a new generation of highenergy, high-tolerance, new-gen guests-cum-ravers.

Pool Party - The Tower hosts renowned, exclusive daytime parties featuring top-notch live performances

Pool Party – The Tower hosts renowned, exclusive daytime parties featuring top-notch live performances

Room categories sum it up: there’s the Anything Can Happen Suite, the Anything Can Happen Suite with Stage View (offering the same view I was catching), the Fashion Victim Suite, and the I’m on Top of the World Suite.

I was slumming it in a mere luxury double, with views of sea, beach, and mountains, a suggestive minibar, and a minimal-chic bathroom. Unlike some hotels, the room is just an accessory to your experience: a place to spend the morning and early afternoon recovering from everything you have come to Ibiza to do.

You don’t necessarily need to venture outside the hotel’s boundaries to do so, either.

The amorphous giant pool which is a backdrop to the likes of David Guetta at night is the pool terrace of the Ushuaia Beach Hotel – part of the same complex, and already in existence before last summer. The brand new Tower next door has a pool of its own; step onto the beach from either and you are greeted with an array of sun loungers and a beach bar belonging to the hotels. Here they serve an excellent club sandwich made with Jamon Iberico, as I discovered the next morning when indulging in my recovery brunch.

It would, however, have been a little coarse not to drop in on other favourite spots in Ibiza, and here the hotel also came into its own. The cool will tour Ibiza on a 1960s Moto Guzzi motorbike, raven-haired brunette hanging on, vintage Hermès headscarf pulled tight over vintage Cartier, shouting directions and admonishments from behind. I had no such option and opted for what must be the next best thing: a two-seater micro-Smart car, dressed in the hotel’s colours. I headed off for lunch to Cala Jondal, a hidden beach only accessible by a more or less unmarked side road, just two cliffsides away from the nearby airport but a different, secluded world of Ibiza.

The Ushuaia Tower Hotel with its poolside stage is a new concept on Ibiza’s Playa d’en Bossa beach

The Ushuaia Tower Hotel with its poolside stage is a new concept on Ibiza’s Playa d’en Bossa beach

At Blue Marlin on Cala Jondal, I ate grilled local sea bream with a glass of Ibizan rosé. A supermodel I can’t name was having a discreet birthday lunch with some mutual friends at the next table, and I spent a relaxing afternoon with them before tearing myself away back to the hotel, where a symphony of DJs was warming up for the evening. I slipped into some light Margiela and Lanvin for the evening and made my way over to Lio across town – now an established joint but, with its live Cirque du Soleil shows, still the most glamorous restaurant on the island. The friend I dined with had a family engagement afterwards – only in Ibiza can someone go to their aristo mother’s 60th birthday party in a club, something I just didn’t have the mental range for – and I headed back to the Ushuaia.

Hotels as self-consciously cool as the Ushuaia Tower need to employ striking looking staff to keep themselves on brand. And it’s no secret that striking staff tend not to be excellent staff, as they are naturally en route to a career in modeling, acting, or headlining at the O2 in London, and have limited patience for the day job. It’s been a problem since Ian Schrager and Steve Rubell first opened the Morgans in New York and eye-candy staff of both sexes became the equivalent of contemporary art for a hotel.

Maybe I just caught them on a good day, but the Ushuaia Tower’s staff had plainly been drawn from a different modeling agency. The ravishing (male) concierge had almost burst out of his designer uniform in trying to get me a good table for two at almost no notice at Lio; the (female) receptionist was patience and efficiency personified in dealing with various airline bookings and IT tasks; even the housekeeping staff were fluent and efficient.

There is one proviso for anyone wishing to have the ultimate urban-Ibiza-clubbing experience at the thrilling Ushuaia Tower; no, two. First, while the views are striking, don’t expect gentle romance or trad luxury: this is the hotel equivalent of a Shoreditch superclub. And, if you expect peace and quiet after midnight, or indeed, more or less anytime, then you should probably be getting yourself to another part of the island: or, better, to another island altogether. Otherwise, get there while it’s hot – and while you are, honey.

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