A white car by a shed in a forest
A white car by a lake at sunset

The EQS SUV is a stylish creation by Mercedes chief designer Gorden Wagener, with none of the brashness of some rivals

Mercedes-Benz has made an electric luxury SUV quite unlike any other, and we love it

One of the fears of anyone who has been appreciative of high end automobiles the last years or decades is that electric cars, while having zero tailpipe emissions (although they still do have a carbon and environmental cost in their manufacture and sourcing of electricity) will lack an essential character.

When every car is electric, this argument goes, they will all essentially be more or less the same thing with a different brand attached – accentuated by the fact that electric vehicles also have advanced and highly developing technological interfaces, which are largely sourced from the same suppliers, like all digital technology.

We remember speaking about these matters with the legendary Mercedes-Benz designer, Gorden Wagener, a few years back; Gorden insisted that there would be as much differentiation in the design and feel of Mercedes’ electric vehicles as there has been in their conventional cars.

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The EQS is a SUV – a type of car usually associated with massive emissions. It is fully electric though, so no worries on that front, at least during its daily use. It also achieves a remarkable goal of being very big SUV that does not look either aggressive or lumpen. It is smoothly designed and seems to shrink on the road, meeting no hateful looks from the resentful brigade.

The real revelation, though, is in the way it drives. Many SUVs set out to try to emulate the driving experience of the regular saloon/sedan cousins, something made almost impossible by their high centres of gravity and inherently massive weight – most of them weigh above two tonnes and a luxury SUV can weigh close to three tonnes.

This means that not only can they not drive like sports cars, but the passengers’ experience can also be compromised, with manufacturers left in a hard place between making the ride firm and unyielding (theoretically improving the dynamic qualities) or softer, but then allowing the forces of physics to dictate something that can be quite difficult to stomach in terms of a wallowing feel, particularly in association with the rapid but silent acceleration offered by electric cars.

A black steering wheel and dashboard of a car

The Mercedes-Benz ESQ SUV has a sophisticated and contemporary driver’s environment

That’s where the EQS is unique. Shoot off in the EQS (like all electric cars, it’s fast, although the 450 model we drove is not the fastest), and you have a delicious feeling of being cosseted – this is not a car aimed at setting record track lap times. Passengers felt the same. There is a luxuriant, old school refinement to being on the move in this car: objectively that is down to a ride that absorbs bumps and bits of broken road.

There is huge refinement in terms of what car companies call NVH (noise, vibration and harshness) but also a feeling that the engineers who made this car just really understand what makes a luxury car. Step out of the EQS into any other electric vehicle and you will notice the difference on this front.

So, a point of difference and a significant one given that this is a luxury car.

The technological interface is also sophisticated and easy to use, although this is much less of a differentiator these days. And while the design feels are highly up-to-date, we wonder if Mercedes has gone a little too far or making the interior feel “contemporary“ rather than “luxurious“. It’s as if the engineers did their bit brilliantly in the way the car rides and drives, but the interior designers were a little bit wary of making it look too traditional. Shame, because no major manufacturer does interior luxury like Mercedes. Functionality is for Teslas.

Read more: Porsche Reviews Series: 911 GTS

But the most important element of a car like this is the feeling of quality, and the way it rides and drives. The EQS has one of the best electric mileage ranges of any car – although range is a technology that will constantly improve – and it is a car that you wish to sit back and luxuriate in, whether as a driver at the helm (and it really does feel like a helm, in the best luxury Mercedes, type of way) or passenger. So bravo Mercedes for having the bravery to create something that is truly – we think – what do your clients will want. Next, just add a bit of Palace of Versailles – or even Schöbrunn, if you want to keep it Germanic – to the interior for that ultimate touch of baroque ‘n’ roll.

Find out more: mercedes-benz.co.uk/suv/eqs/

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red car driving in nature In the second part of our Driving Force series from the AW 2022/23 issue, LUX’s car reviewer gets behind the wheel of the Audi R8 V10 Spyder.

We at LUX are not engineers. We leave analysis of the technical side of motoring to our specialist colleagues in the automotive media. What we do know, though, as motoring enthusiasts, is that a mid-engined car should be fun to drive.

With only an elementary knowledge of physics, we know that placing an engine – a car’s heaviest part – behind the driver instead of in front, should make a car easier to pivot through a turn. And while LUX readers may not often do their own grocery shopping, anyone who has tried to steer a shopping trolley full of bottles of, say, Dom Pérignon, will know how much harder it is to turn corners than when the trolley is empty. The same principle should theoretically apply to a mid-engined car, where the space under the bonnet is air, not engine.

Driving through a series of sharp corners in the latest Audi R8, we were delighted to feel this theory being put into practice. The R8 is a fine-looking car, making the most of the engine placement. It has a short, aggressive-looking front end and a fat, squat rear, suggesting speed and intent. Then there is its handling. Steer into a corner and the reactions are instantaneous: there is no mass, no trolley full of Dom Pérignon to turn ahead of you. In fact, it turns so quickly you need your wits about you or you will overdo it, steering too much and aiming onto the wrong side of the road. You feel the car’s four-wheel drive getting its claws into the road as the engine shoots out of the curve, ready for the next one. It may be an Audi, but this is one hyper-responsive car, as sharp as a Ferrari or a McLaren. 

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You also have no doubt that the engine is just a few centimetres behind your head. It is a special engine. As you accelerate out of a corner, its howl grows, like the sound of a Formula One track getting closer. The revs continue to rise and the F1 track continues to increase in volume, the engine getting more and more urgent, until you hit the rev limiter at 8,700rpm. It is an exciting experience, and, combined with the concentration required to keep the hyper-responsive steering pointing in the right direction, makes for real fun and engagement.

Most sports cars today that have not turned electric or into part-electric hybrids are powered by turbocharged V8 engines. They are, by and large, very fast, and the engine response in many cases is even swifter than in this car. However, they lack the character and drama of the now old-fashioned V10 engine, as it gains revs and power mid-howl – something to treasure.

This all makes the R a brilliant car to drive. Unsurprisingly, over the years that its similar-looking predecessor was made, it was highly successful and remains highly desirable. If you feel a caveat coming, you are correct – it involves a mystery. This is an unquestionably rapid and exciting car to drive, even more thrilling on a twisty road than some of its acclaimed rivals. However, there is a slight snobbery towards it from some. Both rivals we mentioned have, we think, slightly higher status in the car-collector world, whereas the R8 V10, for all its brilliance, is considered a little more nouveau.

steering wheel of car with open roof

We can’t give a definitive answer as to why that might be. The R8 isn’t perfect, of course – a two-seater sports car rarely is. Even by the standards of this car type, though, there is very little storage space, either in the front boot or the cabin. If two of you were off for a weekend away, let’s just say that even if there were enough room for your bags, there would be none for souvenirs.

It is also true that the cabin suffers from the excellence of Audi’s corporate design. The shape of the interior is as you might expect from a low mid-engined, two-seater sports car. It is beautifully put together and clear in a Bauhaus-for-the-21st-century way, but the materials and interior design don’t feel special. It feels exactly what it is, a premium two-seater sports car from the people who bring you premium saloons and estate cars. However, the exterior shape, which we think looks better than anything else in its class, makes up for the lack of interior flair. 

If you did need further storage space, the Porsche is more practical and spacious, with small back seats that are suitable for humans over short distances. But these are not supposed to be practical cars and, as a racy weekend machine, the R8 is superb. It manages what some much more expensive supercars don’t: it is reactive and lively at low speeds, and you don’t have the feeling – common in some over-capable supercars – that the car is taking everything in its stride and not giving much fun or feedback. 

Read more: Ionic cars are transforming classic cars for an electric future

In the R8 you have the best engine in its class, combined with handling that lets you know you are in a supercar, while keeping you hyper-alert. The steering could have more feel, although that is a common complaint in this era of electrically assisted steering and giant tyres. Importantly, the R8 is the last of its kind. With emissions regulations, Audi will not make another V10. We recommend it, and, for extra fun, opt for the Spyder over the coupé, so you can open the roof and hear the engine even more.

LUX rating: 19/20

Find out more: audi.co.uk

This article first appeared in the Autumn/Winter 2022/23 issue of LUX

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Mercedes in black
Mercedes in blackProper ceramic coating, after a thorough paintwork correction, is the only way to make your new car look properly new, as LUX discovers with its recently purchased high-performance convertible

When you’re choosing a new car, there are many questions to ponder. Electric, hybrid or petrol? (The eco-friendly answer requires some research in each case.) Which brand? Exterior colour, interior colour, options? Which wheels? Did you think about tyre brand (a whole other world)? Are there any extras that will help with resale? (The short answer: you won’t get the extra couple of thousand you pay for the head-up display or the carbon fibre steering wheel back, but the right options make it easier to sell).

Very few people ponder one fundamental issue. Your brand new car is likely to be delivered with paintwork that is scratched and pitted, and it will only get worse unless you do something about it.

This is not due to some plot by manufacturers. But whether you buy a Ferrari or a Cinquecento, a Tesla or a Lamborghini, from the point it is painted at the factory, your car will spend weeks or months being transported to you, during which point it will (hopefully) not receive any plainly-visible scratches or marks. But it will be wiped, cleaned, dried and “valeted” on various occasions, and those actions, done in a hurry with the best of intentions, leave swirls and scratches on your paint, clearly visible on close inspection. And without further protection, that will only get dramatically worse during your ownership.

That’s where a proper ceramic coat comes in. Ceramic coating is to old-fashioned polishing and waxing what an iPhone 12 is to a Nokia, and here LUX hands over to Ahmed Al-Wajih, director of 1080, who was responsible for the shine on our Mercedes C63S Cabriolet Brabus 600 in these photographs, courtesy of products by market-leader G-Techniq.

red white and silver paint bottles

LUX: What happens to unprotected paint on a car under normal circumstances (without ceramic coating)?
Ahmed Al-Wajih: Unprotected paint is exposed to elements in our environment, such as oxidation from the sun, contamination from pollen tree sap and bird droppings. These can be very harmful to your vehicle’s paintwork if not addressed immediately and safely. An unprotected surface has a much faster wear rate than a protected surface.

LUX: Can you describe the science of paint – that what most people think is a scratch in paint is actually in a clear coat?
Ahmed Al-Wajih: Traditionally vehicles had a single stage paint, which was oil based and was just paint onto of the panel. Today we have three-layer paints on most panels, if not all. It consists of primer, base coat and the clear coat. The base coat is the actual colour that you see and the clear coat is a transparent layer that adds the final finish to the paint. The clear coat also provides a layer of protection to the base coat. Therefore the swirls, holograms, dullness in the paint are typically imperfections on the clear coat and not the base coat. Deep scratches that can be felt by your fingernail usually mean that the damage has gone beyond the clear coat and into the base coat or primer.

LUX: What does ceramic coating (and the other protection you supply) do?
Ahmed Al-Wajih: A ceramic coating for the paintwork is designed to protect the vehicle’s surfaces. The main purpose of a ceramic coating is to bond with the clear coat to make it harder, therefore more resistant to swirls and light scratches, as well as to provide protection against oxidation. It also provides high levels of gloss and hydrophobic qualities.

For the interior, chemicals were used to protect the floor mats and carpets. The purpose of this is to protect the carpets from stains caused by liquids and dirt that can become imbedded into the fibres. A sealant was used to protect the leather from dye transfer and to help clean the leather much quicker.

LUX: What is the difference between ceramic coating and traditional wax?
Ahmed Al-Wajih: The main difference between ceramic and wax to the paintwork is durability. A ceramic coating is a long-lasting coating that bonds within the clear coat particles. For example Gtechniq’s flagship ceramic, the Crystal Serum Ultra, is warranted for nine years. It will not wear away with aggressive washing chemicals, or even machine polishing, the only way to remove it is by sanding down the panel. A wax coating on the other hand may be topped up by layers, however an aggressive chemical will take the wax of the surface.

Tape and paint tools hanging on a wall

LUX: What exactly did you do in the process of coating our car?.
Ahmed Al-Wajih: First step in our process is to decontaminate the vehicle and strip off any sealants that are on the vehicle. This is a crucial part of the process as we need to ensure that the paintwork is clean and without any contaminates before we can move onto the next stage. Once the vehicle has been decontaminated and dried, we worked on the interior, again ensuring that all surfaces were clean.

The vehicle was then put on our ramp and we safely raised the car and removed the wheels. The wheels were then taken to our wash bay to be cleaned once again. The wheel arches were also cleaned again. Once the wheels were dried, they were protected using Gtechniq C5 wheel armour. The callipers were also protected using the C5 wheel armour. The interior was then protected using Gtechniq’s L1 leather guard for the leather surfaces and I1 Smart fabric for the carpets, alcantara and floor mats. The I1 Smart fabric was also used on the soft top.

We then inspected the vehicles paintwork and identified specific areas that needed extra attention and correction. We masked the vehicle and began our correction of those areas. Once this was complete we gave the vehicle a one stage enhancement process with the aim to further enhance the depth of the Obsidian black and ensure that the paintwork is in the best possible condition.

Once this process was complete we began prepping the paintwork using a panel wipe. The purpose of this process is to clean the panels and ensure that they are free from anything that may contaminate the application of the ceramic coating. Once this process was complete we began applying the Crystal Serum Ultra. Once we completed this process we left the ceramic to cure overnight. The following morning we inspected the paintwork to ensure that the ceramic had bonded properly. We then applied C2 Crystal laquer which acts as a top up coating for the ceramic. We also protected the glass using Gtechniq’s Smart Glass. Once we were happy that the ceramic to the wheels, body, interior and glass had cured we safely put the wheels back onto the vehicle and ensure that the wheels were torqued back up to the manufacturer’s specification.

Once again the vehicle was moved to our final inspection bay [with all round flourescent lighting] and we gave the vehicle a final inspection to ensure that it met our standards.

interior of a mercedes

LUX: Why use Gtechniq products?
Ahmed Al-Wajih: Gtechniq is a leader in the world of ceramic coatings. They put a lot of research and development into their products and stand by them. There are many different brands for ceramic coatings but there are very few that have the same international recognition.

LUX: There are detailers offering clients mobile ceramic coating in hours. Your process takes three days. What is the difference?
Ahmed Al-Wajih: There are different levels of ceramic coating, There is a liquid ceramic coating which is very easily applied, you spray it on and wipe it off. There are also ceramic coatings which are not semi-permanent which can also be applied without the risk of causing much damage as removing the coating is easy.

Once you get to the semi permanent coatings such as the five year or nine year coatings, you need the paintwork to be perfect before you apply the coating as any imperfection will be locked in for the duration of the ceramic coating. It is not impossible, however it puts the person applying the coating at a big disadvantage.

We have a studio where we are able to control the lighting, temperature, and positioning of the vehicle. All of this helps us to produce incredible and consistent results.It would be a big disadvantage trying to correct a car with poor light and bad weather conditions.

LUX: People buying a brand new car may not believe their car needs paint correction (ahead of protection). Tell us what you find on brand new cars.
Ahmed Al-Wajih: Believe it or not I have yet too come across a brand new car that is without imperfections. To the untrained eye the car may be glossy and shiny but to a trained eye, there are swirls, light scratches from where the vehicle has been valeting prior to delivery. The vehicle may have been in transport and exposed to the elements. causing etchings on the paintwork Many people do not see the imperfections and are happy to live with it, but if you are going to project your vehicle, you would really need to perfect the paintwork, because if you see it over the coating, there is not much that can be done.

A man in a black uniform working in a car paint shop

LUX: Why choose a ceramic coat over a clear paint protection film wrap?
Ahmed Al-Wajih: If you are after protection, then the best form of protection is PPF (paint protection film). It protects the paintwork far better than ceramic. However PPF is costly and can cost more per panel than if you were just to have that panel painted. Also the level of shine and depth does not match that of a ceramic coating, although having said that, technology in PPF has come a long way and the quality is getting better.

LUX: For classic cars, you may still suggest a wax instead of a ceramic coat. Why?
Ahmed Al-Wajih: When recommending a product, we try to identify the purpose of why your vehicle is with us and what it is that you are trying to achieve. If you have a classic car that is garaged most days in the year and sees the odd outing to an event, chances are that the vehicle would not be exposed to a lot of contaminants. In addition tot his the paint may be very thin from previous years and a correction would not be suitable. A carnauba wax finish in this instance would be more suitable. The vehicle would still have protection, the paintwork would still have gloss and depth in the colour and more layers can be added on. If that same vehicle was to be parked on the street and driven daily thence would suggest a ceramic coating.

Portrait and product photography by Isabella Sheherazade Sanai

1080london.com

gtechniq.co.uk

 

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white propeller aeroplane
white propeller aeroplaneWhen the pandemic grounded air travel in 2019, it also brought grounding of a different kind: a chance to reflect on the aviation addiction which now constitutes 2 percent of all global carbon emissions. Far from settling into the flight-shaming craze, however, cleantech entrepreneur Val Miftakhov decided to find a solution. His company, ZeroAvia, is working to enable safe, zero-emission aviation by replacing conventional fuel engines with hydrogen-electric powertrains – and now counts Jeff Bezos, Bill Gates and British Airways among its investors. Here, Miftakhov speaks to Ella Johnson about how decarbonising aviation poses both a challenge and an opportunity, and why Elon Musk is missing out
Val Miftakhov

Val Miftakhov, Founder, ZeroAvia

LUX: What has your cleantech journey looked like so far?
Val Miftakhov: My first company, eMotorWerks, was in the EV charging space. We developed the world’s leading platform for EV battery aggregation to provide grid services, and the company was acquired in 2017. I then started looking at the next big opportunity for electrification, which was aviation. It fascinated me because I am a pilot myself, but also because I am a passionate believer in the enormous societal, cultural and economic benefit that aviation has brought to the world over the last century.

The aviation industry contributes less than 3 percent of global carbon emissions, but due to non-carbon climate forcing mechanisms (particulate emissions, nitrogen and sulphur oxides, and water vapour emission) the actual climate impact is somewhere between 5% and 10% already. That’s only set to worsen given that aviation is one of the fastest growing emission sources, and 5-10% could quickly become 25-50% by 2050 – especially as all the other pollution sources get cleaned up. Aviation, a truly majestic feat of human ingenuity and achievement, is under threat because of this. So, as a physicist by training, I started looking for the solutions.

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LUX: So, what solution has ZeroAvia come up with?
Val Miftakhov: Naturally, as a successful EV start-up founder, I probably had a bit of a bias towards batteries at first, but the energy-to-weight ratio just makes it practically impossible to fly conventional fixed wing aircraft with any decent volume of passengers over any commercially useful distance. We quickly landed on hydrogen fuel cell technology as the answer. We believe it to be the best possible solution for tackling not just carbon emissions, but also the full climate impact of aviation.

LUX: How does it work?
Val Miftakhov: This approach converts hydrogen fuel into electricity in the fuel cells onboard the aircraft to power motors. This retains the benefits of zero emission that we have in battery electric vehicles, but with the required range and payload. Plus, a hydrogen-electric plane does not burn any fossil fuel, so there are no climate harming emissions, and the water vapour emissions can be very effectively managed due to a much lower vapour temperature compared to any combustion technology.

ZeroAvia logo on the side of a plane

LUX: Hydrogen fuel cells have been in commercial use since the 1960s. Why has no one successfully brought it to aviation before ZeroAvia?
Val Miftakhov: Society didn’t really see jet fuel as a big problem until relatively recently: we had already invented the jet engine, we had cheap fuel, so what was there to worry about?

Hydrogen fuel cell technology has also developed a lot since the first introduction, and especially in the last 5-10 years. The first commercial hydrogen car was introduced to the market by Toyota just 6 year ago, and hydrogen heavy duty vehicles – trucks and buses – are just starting to be deployed. All of this very recent progress makes it possible to consider aviation applications that are even more advanced.

Another reason for accelerated adoption now is the progress on green hydrogen production technologies. Electrolysis equipment is now maturing and entering a rapid cost reduction phase – not unlike the solar panels 15 years ago. Already today, large scale electrolysis production results in the equivalent fuel costs below that of jet fuel for sub-20 seat planes.

LUX: How will ZeroAvia continue to achieve green electrolysis as the company grows from conceptual to commercial scale?
Val Miftakhov: Hydrogen to fuel aircraft can be created on the ground by splitting water (H2O) into hydrogen and oxygen using electricity to power an electrolyser. If the electricity used here is generated through zero-emission sources like solar or wind, the fuel itself can be created with zero-emissions as well.

The level of investment in both renewable energy and hydrogen infrastructure is positive and we are optimistic that the price of hydrogen fuel for aircraft will soon match jet kerosene even for larger aircraft and large operators. This will mean we can significantly lower operating costs for airlines, making adoption a no brainer. Of course, it is highly important that industry and government work together to ensure renewable supply and green hydrogen production can scale as quickly as possible and achieve price parity and beyond.

Read more: Dimitri Zenghelis On Investing In The Green Transition

LUX: How are you overcoming problems of hydrogen storage and fuel cell transportation?
Val Miftakhov: There are definitely challenges to overcome, but they are engineering challenges versus fundamental physical constraints, so it is achievable and exciting to be involved in. Storage is definitely one of the big issues and we believe we have designed appropriately for that with gaseous hydrogen for our initial models.

As we get beyond 40 seats, however, we will use liquid hydrogen fuel to overcome the space constraints of H2 gas. We intend to do this with existing airframes up to the very large, long haul jets when we believe that fundamental aircraft redesign will be necessary. Liquid hydrogen as a fuel also produces some fuel storage and infrastructure challenges we need to overcome in partnership with the aviation industry at large. As we expect the hydrogen-electric powertrains for these larger vehicles to become available around 2035-2040, new aircraft designs become quite possible on that timeframe.

plane in the sky with pink clouds

Image By Victoria Primark

LUX: Why isn’t Sustainable Aviation Fuel (SAF) a long-term solution for the industry?
Val Miftakhov: These drop-in fuels are certainly critical to reducing carbon emissions today, but they are fundamentally a bridge technology as they cannot eliminate most of aviation’s climate impact, especially as the industry grows in line with demand. SAFs still rely on combustion which causes nitrogen and sulphur oxides, particulates, soot and high temperature water vapour at high altitudes. It’s still a cocktail that will have a huge impact on climate change. We need to invest and give room for true zero-emission technology to come through.

LUX: Elon Musk has described hydrogen fuel cell vehicles as ‘mind-bogglingly stupid’. Why do you think he is not backing them, and why should he be?
Val Miftakhov: He has plenty of other technologies that he is invested in! When you have created an automotive company that’s the most valuable in the world on the premise of battery-electric, it’s very easy to say that to people who champion fuel cell cars. And for the light duty personal vehicles Elon very well may be right. Hydrogen favours higher energy intensity, higher utilisation applications with more concentrated fueling infrastructure. Aviation fits the bill perfectly.

LUX: Are you planning to bring the hydrogen-electric powertrain model to cars in the future?
Val Miftakhov: At this point, we are focused 100 percent on aviation applications. It’s an easy choice: with Tesla and now all other major automakers pushing the EV revolution, it’s fairly certain that we will have rapid transition to EV ground vehicles. In contrast, aviation is at ground zero today, and while it constitutes a smaller part of emissions, it’s harder to abate, and growing quickly. It will be a much larger slice of the pie in 20-30 years.

LUX: What advice do you have for other cleantech entrepreneurs?
Val Miftakhov: My advice is to look at the challenge and find the most impactful, practical solutions based on the first principles and the real physics of the problem, and try to shed yourself of any bias you might bring into the endeavour.

Val Miftakhov is the founder of ZeroAvia 

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