mother and daughter in vineyard
mother and daughter in vineyard

Amélie Buecher, winemaker at Vignoble des 2 Lunes

LUX tries an at-home wine tasting experience with VIVANT, and discovers a group of women who are committed to producing and promoting organic wine

After a tiresome year of Zoom meetings, virtual exhibitions and product launches, it’s difficult to get properly excited by the idea of another digital platform, even if there is the alluring promise of real wine to drink at home, but – and bear with us here – VIVANT is actually doing something a little bit different.

Follow LUX on Instagram: luxthemagazine

Launched by American entrepreneur and investor Michael Baum, VIVANT is a super slick, ultra modern online market place/educational centre/streaming service for wine enthusiasts who not only want to drink great wine, but also learn about it from expert advisors and producers through interactive wine experiences and beautifully curated content.

wine tasting test tubes

VIVANT’s ‘Women in Wine’ tasting kit

There’s a wide selection of experiences to choose from, divided into categories such as ‘Food & Wine’ or ‘For Serious Wine Geeks’ with varying difficulties depending on your existing wine knowledge. We were invited to experience the ‘Women in Wine’ tasting event and about a week before kick-off (the events happen in real time), a beautiful, white box arrived by courier, containing six 100ml test tubes of wine along with the login details for the platform.

Eventually the evening rolled around, we logged onto the site, and the event began promptly at 6pm with the virtual appearance of our wine advisor Kateryna Dobbert. The format was impressively futuristic, resembling a kind of spaceship control panel with Kateryna talking in the centre of the screen and a message board running down the side where participants could enter questions, comments and ‘cheers’ other members by pressing a wine glass icon. Yes, it’s a bit cheesy, but it got more fun after a few (or several) sips of wine, and we realised that we could earn points through our interactions which contributed to our VIVANT level (although we’re still not entirely sure what that level equates to beyond self-satisfaction).

Read more: Olivier Krug on champagne and music

The experience was divided into a series of videos in which the producers of each wine talked about their processes and some of the challenges they faced as women in a traditionally male-dominated industry after which Kateryna guided us through a tasting with a few follow up quiz questions to test our knowledge. It was well-focused and fast-moving, with the whole experience lasting around forty minutes, but it could have been comfortably stretched out over an hour as we occasionally felt rushed through the tasting parts.

The wines themselves were excitingly varied and after the experience ended, the platform handily saved the corresponding bottles to our profile, avoiding the hassle of having to note down the names of our favourites.

women winemaker

Coralie Delecheneau, winemaker at Domaine La Grange Tiphaine

While our experience highlighted women in the wine industry, VIVANT is centred around promoting and supporting sustainable producers and organic wines. Each of their winemakers is required to sign the VIVANT environmental pledge, which, amongst other things, promises that no synthetic chemicals or additives will be used in the vineyards or wine making processes. The general idea is to create a global community of producers and consumers who are committed to making more environmentally-conscious choices and although the future remains to be seen, it feels like a good start.

Find out more: vivant.eco

Share:
Reading time: 2 min

Kevin Pinsembert, Sans Titre (Décor +), 2020. Acrylic on cotton. © Kevin Pinsembert, 2020
Image courtesy of Saatchi Yates

Phoebe Saatchi Yates is the daughter of art world titan Charles Saatchi and the co-founder of Mayfair gallery Saatchi Yates, which aims to support early-career artists from across the globe. Here, she speaks to Chloe Frost-Smith about discovering new talent, her weariness of digital platforms and the gallery’s current exhibition Allez La France!

Phoebe Saatchi Yates and Arthur Yates

1. How important is an ‘in-person’ art experience to you, and what are your thoughts on digital exhibitions?

Something we have learnt over the last year, with the continuous lockdowns, is that although we all have tried our hardest, nothing digital can really replace the joy of experiencing something in real life. I get incredibly weary of digital exhibitions, just as much as I am bored of online shopping for clothes, books and groceries!

Follow LUX on Instagram: luxthemagazine

2. What made you choose London as the location for your gallery?

London is home. It made sense to open here as we wanted to create something which felt completely integrated to our city and community. Being on Cork Street, a road historically protected for art galleries was important too as you feel as if you are part of not only the future of the city, but the past as well.

exhibition installation

Installation view of Allez La France! at Saatchi Yates Gallery, Cork Street, London

3. Talk us through your search for new artists – is each discovery different, or do you have a particular process?

Each discovery is completely different. Some artists we have watched for many years, some we find online, some through friends. It’s important to be curious and look in unexpected places.

Read more: Tessa Packard on charity & creative thinking 

4. Tell us about your exhibition Allez La France! and what drew you to French new wave painting?

Allez La France! is an exhibition which has been in the works for quite some time. Over a year ago we went to Marseille and Paris to visit the collective, and were so excited by the boldness and confidence of the artists’ work. There was also a true charm in the idea that they were painting for painting’s sake, which is something you don’t find very often.

abstract painting

Mathieu Julien, Rouge Camaieu, 2020. Acrylic and spray paint on cotton canvas © Mathieu Julien, 2020. Image courtesy of Saatchi Yates

5. What sort of art would we find on your walls at home, and do you have a favourite piece?

Currently, I am living in a fully furnished apartment, with wallpaper and no hanging space! There is a very long list of paintings I can’t wait to hang when we next move…

6. Which emerging artists are you currently keeping your eye on?

I feel really excited about all the artists we are yet to show! There are so many exciting talents whose shows that we have had to postpone due to lockdowns, so I feel quite giddy about being able to finally see their work in our space!

“Allez La France!” is available to view online until 11 April, after which it will be open to the public until 15 May 2021 at Saatchi Yates Gallery. For more information visit: saatchiyates.com/exhibitions/allez-la-france

Share:
Reading time: 2 min
virtual gallery space
virtual gallery space

FLOCK (shown here in the deTour 2020 virtual space) is an interactive artwork by Whatever Inc. and one of Shin Wong’s favourites from this year’s festival

Born in Taipei and raised in New Zealand, Shin Wong is a global creative influencer and this year’s curator-at-large of Hong Kong’s art and design festival deTour. Ahead of the festival’s virtual launch on Friday, LUX speaks to Wong about her favourite work at this year’s edition, the value of digital platforms and her love of French decadence

black and white portrait

Shin Wong

1. This is the first year that deTour is taking place online. Whilst this is clearly driven by the pandemic, do you think this format can offer added value to arts festivals and fairs in general?

Definitely! The mission of deTour is to introduce design talents from Hong Kong to the rest of the world and vice versa. It is also a perfect platform to showcase new innovative designs from overseas to the greater China region audiences. Through virtual connection, I believe we can bring like-minded people together, explore ideas and job opportunities, and moreover, celebrate the joy of creativity wherever you are.

Follow LUX on Instagram: luxthemagazine

2. Can you tell us more about this year’s festival theme and your role in the curation process?

The theme this year is the “Matter of Life”. With all what’s happening around the world and the big social movement in the city last year, this is probably the most important and relevant topic we could reflect on. The pandemic gave us extra time to rethink what designers can bring to society today.

I am the curator-at-large of deTour and my job is to overlook the creatives and all the programmes from a holistic point of view. I’m kind of like a chef who is garnishing the menu, adding extra flavours and spice, except that my job involves inviting and commissioning awesome, best-fit designers and providing different perspectives for the team, curators and artists to think about.

monochrome art

The Book of Ashes by Cheung Hon Him at dePont 2020

3. What are the benefits of bringing art and design together in one exhibition?

I think it’s impossible to separate art and design! It is our job to find balance in how we showcase novelty designs and expressive art in a big-scale festival. The curation itself is a piece of art.

Read more:  ‘I’m sick and tired of self-obsessed art’ says visual artist Afshin Naghouni

4. What design trends do you predict we’ll be seeing more of in 2021 and beyond?

Personally, I would like to see more work on sustainable designs. We’ve already caused enough damage to our world and we are all responsible to make it better.

digital artwork

God Catcher by Riyo & Obie at dePont 2020

5. Do you have a favourite era of art and design from history?

The French Neoclassical Period (Louis XVI era) where everything was over-the-top lavish, pure decadence. One can never get bored looking at the art and design from that era.

6. If you had to select one piece from this year’s festival, what would it be and why?

“FLOCK” – a simple and beautiful digital interactive work, celebrating life, love and joy. Exactly what we need! I am also a fan of Masashi Kawamura‘s work, and so we are super excited to have Whatever Inc. at deTour this year.

deTour 2020 takes place virtually from 27 November to 6 December. For more information visit: detour.hk

Share:
Reading time: 2 min